Here’s one big risk a public satirist of racism takes: by displaying tropes and crude imagery, he reveals just how well he knows and can deploy them himself.
Here’s one big risk a public satirist of racism takes: by displaying tropes and crude imagery, he reveals just how well he knows and can deploy them himself.
A civilian in Tehran chronicles a country trapped between bombardment and repression—too terrorized to move, let alone start an uprising.
What drew many people to the city was not luxury but, rather, stability and the feeling of remove from war. As Iran attacks the U.A.E., that sense of distance is…